位置:
葡萄牙
類型:
建筑
標(biāo)簽:
Mora
分類:
博物館 文化建筑
位于葡萄牙小鎮(zhèn)More外的Barroca博物館從2014年開始修建,該博物館是Barroca地產(chǎn)重建的核心項目。
Design of the architectural project for the Barroca Museum began in 2014 and featured as its core premise the reorganization of a building located on the Barroca Estate just outside the Portuguese town of Mora.
▽Barroca博物館坐落于一片農(nóng)場之上,Barroca Museum located in a raised area of this agricultural estate
博物館在這次改造前已經(jīng)經(jīng)歷過一次重建,上次重建保留了其原有Alentejan的建筑風(fēng)格。這個一層樓高狹長的建筑坐落于農(nóng)場隆起的平臺之上,其原本的功能是馬槽。建筑外墻延伸并凸出來了的一部分區(qū)域,是建筑的主要結(jié)構(gòu)特點,建筑的各個出入口也安置于這面延伸于體量之外的墻上。木桁架支撐著山形墻,使建筑內(nèi)部展覽空間更加寬廣。典型的白色涂料外墻和紅色陶瓷坡屋頂與這片農(nóng)場區(qū)域傳統(tǒng)的建筑風(fēng)格相輔相成。
The building, that had been recently restructured before this intervention, had retained its origins within the Alentejan vernacular architectural style of which it represents a fine example. It is composed of a long, single story volume, located in a raised area of this agricultural estate, which previously served as the manger for the estate. The structure is characterized by extensive sections of white wall, with controlled openings throughout the construction. The gable roof is held in place by wooden trusses that endow the space with the amplitude of a pavilion. The finishings are typified by the whitewashed plastered walls and the red ceramic paving, which recall the traditional architectonic language of this region.
▽ 木桁架支撐著山形墻,使建筑空間更加廣闊,The gable roof is held in place by wooden trusses that endow the space with the amplitude of a pavilion
Barroca Museum by DC.AD-3
▽典型的白色涂料外墻和紅色陶瓷坡屋頂與這片區(qū)域傳統(tǒng)的建筑風(fēng)格相一致,The finishings are typified by the whitewashed plastered walls and the red ceramic paving
建筑正在舉辦的展覽展示了當(dāng)?shù)厥姓瘑T會的歷史進程,展覽內(nèi)容基于以前未公開的一些歷史圖像和記錄,重點展出了當(dāng)?shù)貜?0世紀(jì)早期以來的社會和經(jīng)濟變化。建筑師根據(jù)不同展覽內(nèi)容的特殊需求重新設(shè)計了現(xiàn)存的空間邏輯和布展方式。同時,在設(shè)計概念上建筑師很注重博物館與周邊建筑與環(huán)境的關(guān)系,并對室內(nèi)外關(guān)系上進行了精心的考量。
The project undertaken defined the installation of an exhibition about the history of the local council based upon hitherto unpublished photographic records that illustrate and highlight the social and economic transformations ongoing in the region ever since the early 20th century. The exhibition layout redesigned the existing spatial logic and in accordance with the diverse specific requirements of the exhibition content. Conceptually, the project was designed with a strong reference to the surrounding built and natural environments in a play on the interior-exterior relationship.